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Items appearing in the OJBR may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the International Society of Bassists, and advance notification of the editors of the OJBR.

Any redistributed form of items published in the OJBR must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in The Online Journal of Bass Research in [VOLUME #, ISSUE #] in [MONTH/YEAR], and it is republished here with the written permission of the International Society of Bassists.

Libraries may archive issues of OJBR in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of the OJBR and the International Society of Bassists.

Citations to articles from OJBR should include the URL as found at the beginning of the article and the paragraph number; for example:

Volume 3
Alexandre Ritter, "Franco Petracchi and the Divertimento Concertante Per Contrabbasso E Orchestra by Nino Rota: A Successful Collaboration Between Composer And Performer" Online Journal of Bass Research 3 (2012), <>, par. 1.2.

Volume 2
Shanon P. Zusman, "A Critical Review of Studies in Italian Sacred and Instrumental Music in the 17th Century by Stephen Bonta, Burlington, VT: Ashgate Publishing Co., 2003." Online Journal of Bass Research 2 (2004), <>, par. 1.2.

Volume 1
Michael D. Greenberg, "Perfecting the Storm: The Rise of the Double Bass in France, 1701-1815," Online Journal of Bass Research 1 (2003) <>, par. 1.2.

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